Post by abishai100 on Sept 21, 2017 15:53:31 GMT -5
This is an adaptation of Alucard comics (son of Dracula from Castlevania; remanifestation of Dracula from Hellsing).
Enjoy!
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Alucard was wandering around modern-day America and wanted to understand the moral bigotries that made life for vampires very bitter and cast them as outcasts (like Satan-worshippers or witches!). Alucard noted that African pygmies engaged in bizarre and unhealthy female genital mutilation initiation rituals (now being investigated by Western human-rights groups as well as feminism groups) and that American cops were cruel and unethical towards African-American prostitutes. Alucard wondered why vampires would be demonized in a world where such ugly practices were considered merely 'insane.' Alucard concluded that modern civilization was somehow 'unholy' altogether.
Alucard then met the beautiful vampire-queen Elana who told him that female vampires are demonized even worse and that stereotypes on women are imprinted greater on female vampires. Elana was on her own 'crusade' (since she was half-Catholic) to prove there was not logistical incompatibility between vampirism and Catholicism. Alucard fell in love with Elana and wanted the world to see her the same way he saw her --- as a real beauty! However, Alucard was paranoid that the modern corrupt world would somehow 'swallow' Elana up and abandon her idealism to the winds. Alucard wondered if true love could save the vampire community from ostracism.
Alucard then travelled to Romania where he felt much more comfortable, since he was now in the home-ground of Count Dracula (in Transylvania). Alucard noted two Romanian street policemen one night making a crude joke about vampires and why vampires were considered nothing more than 'creatures.' Alucard decided to approach the two crude policemen to tell them that he had studied a great deal about vampire mythology and believed Romania's rich and storied tradition of embracing vampire-lore stemmed from its culturally creative intention to 'embrace' the mystical/unusual. The two baffled policemen simply dismissed Alucard as a 'lunatic idealist,' but Alucard wondered for a brief moment if their blood would be 'sweeter' than the blood of Elana.
Alucard was now working with a video-game developer named Jobe who was trying to market a game involving female vampires 'mingling' in American cities by day (in officeplaces) and then hunting as warrior-huntresses by night (in clubs and parties). The female vampires would coordinate 'normal' bureaucratic affairs by day and then have to deal with prey and vampire-hunters (some travelling through time) by night! Alucard loved the idea for the game and provided much insight and creative designs for Jobe to use. Jobe's game Vampire-Eve was a huge hit for Konami, and it was popular among Xbox gamers; it was even featured in the E3 Champions' Tournament! Alucard concluded that conviction must be wed to imagination, and he wondered if he could unite with Elana...at least as a 'vampire priest.' He didn't yet know that Elana too wanted him to be her 'vampire inspiration.'
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Enjoy!
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Alucard was wandering around modern-day America and wanted to understand the moral bigotries that made life for vampires very bitter and cast them as outcasts (like Satan-worshippers or witches!). Alucard noted that African pygmies engaged in bizarre and unhealthy female genital mutilation initiation rituals (now being investigated by Western human-rights groups as well as feminism groups) and that American cops were cruel and unethical towards African-American prostitutes. Alucard wondered why vampires would be demonized in a world where such ugly practices were considered merely 'insane.' Alucard concluded that modern civilization was somehow 'unholy' altogether.
Alucard then met the beautiful vampire-queen Elana who told him that female vampires are demonized even worse and that stereotypes on women are imprinted greater on female vampires. Elana was on her own 'crusade' (since she was half-Catholic) to prove there was not logistical incompatibility between vampirism and Catholicism. Alucard fell in love with Elana and wanted the world to see her the same way he saw her --- as a real beauty! However, Alucard was paranoid that the modern corrupt world would somehow 'swallow' Elana up and abandon her idealism to the winds. Alucard wondered if true love could save the vampire community from ostracism.
Alucard then travelled to Romania where he felt much more comfortable, since he was now in the home-ground of Count Dracula (in Transylvania). Alucard noted two Romanian street policemen one night making a crude joke about vampires and why vampires were considered nothing more than 'creatures.' Alucard decided to approach the two crude policemen to tell them that he had studied a great deal about vampire mythology and believed Romania's rich and storied tradition of embracing vampire-lore stemmed from its culturally creative intention to 'embrace' the mystical/unusual. The two baffled policemen simply dismissed Alucard as a 'lunatic idealist,' but Alucard wondered for a brief moment if their blood would be 'sweeter' than the blood of Elana.
Alucard was now working with a video-game developer named Jobe who was trying to market a game involving female vampires 'mingling' in American cities by day (in officeplaces) and then hunting as warrior-huntresses by night (in clubs and parties). The female vampires would coordinate 'normal' bureaucratic affairs by day and then have to deal with prey and vampire-hunters (some travelling through time) by night! Alucard loved the idea for the game and provided much insight and creative designs for Jobe to use. Jobe's game Vampire-Eve was a huge hit for Konami, and it was popular among Xbox gamers; it was even featured in the E3 Champions' Tournament! Alucard concluded that conviction must be wed to imagination, and he wondered if he could unite with Elana...at least as a 'vampire priest.' He didn't yet know that Elana too wanted him to be her 'vampire inspiration.'
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